Susan Saccocia is an independent writer whose essays, features, profiles and reviews explore theater, visual arts, jazz and dance in the U.S. and overseas. A regular contributor to the Bay State Banner, Susan has also been published in Art New England ,The Christian Science Monitor, The Washington Post, The Boston Globe, Boston Magazine and other regional and nationwide media. An award-winning arts writer, Susan is also the recipient of three National Endowment for the Arts fellowships in arts journalism among other honors.
Last Wednesday’s RISE concert featured two musical guests of worldwide acclaim: Ysaye Barnwell, co-founder of the iconic African-American a cappella ensemble Sweet Honey in the Rock, and four-time Grammy Award-winning bassist and vocalist Esperanza Spalding.
Renowned vocalist Cassandra Wilson settled down with Harvard’s Ingrid Monson for a conversation on Wilson’s career and development as an artist.
In her brilliant, Pulitzer Prize-winning play, Parks creates two characters that have been dealt a poor hand. She turns three-card monte into a metaphor for the struggle of Booth and his older brother, Lincoln, for power and self-esteem. It is a win-or-lose game that the men wage against each other and themselves.
Madeleine George’s beautifully written play combines droll humor and drama as it follows Brodie into new, uncharted terrain of the heart.
Four soup kitchen workers test, tempt and care for each other in a play that questions what it takes to lead a good life.
Tingle played Sanders Theatre Feb. 4
Stand-up comedy, social justice and politics mingled in a tasty brew last Friday night at Sanders Theatre in Harvard Square, where renowned Cambridge-born comic Jimmy Tingle presented his one-man show, “Humor for Humanity: Jimmy Tingle in the age of Trump.”
A scathing portrayal of the Helmers and their toxic compromises, the play premiered in Copenhagen, Denmark, on Dec. 21, 1879 and brought Ibsen international fame. Since its debut, the play has been published in 78 languages and remains on stage somewhere almost all the time. A new Huntington Theatre Company production of “A Doll’s House,” directed by Melia Bensussen with a script adapted by Bryony Lavery, is on stage through Feb. 5 at the Avenue of the Arts/BU Theatre, on Huntington Avenue. Although staged by a much-awarded director and performed by an accomplished cast, the production takes a while to mine the full power of Ibsen’s drama.
Devilish sock puppet Tyrone taunts and tempts his five human companions into mayhem in the raucous, adult-only comedy. During this theater season, “Hand to God” is the most produced play in America.
Writing in quill pens crafted from bird’s wings, with inks ground from plants and minerals on parchments made from animal hides, scribes would then illuminate their pictures and lettering by breathing on stencils hand cuts from sheets of precious metal such as gold leaf. Ivory and gemstones also added glory, encrusting pages with shimmering, jewel-like embellishments.
The career-long aspiration of Marshall is to summon the traditions and techniques of the Old Masters and render the black figure with prominence in the canon of Western painting. His works rewrite both art history and social history.