Susan Saccocia is an independent writer whose essays, features, profiles and reviews explore theater, visual arts, jazz and dance in the U.S. and overseas. A regular contributor to the Bay State Banner, Susan has also been published in Art New England ,The Christian Science Monitor, The Washington Post, The Boston Globe, Boston Magazine and other regional and nationwide media. An award-winning arts writer, Susan is also the recipient of three National Endowment for the Arts fellowships in arts journalism among other honors.
Renowned contemporary artist Kara Walker is known for elegant, provocative murals that employ hand-cut stencils to render the persistent legacy of slavery. She casts her silhouetted figures in violent or sexual scenes that evoke unfinished business in the arenas of race, gender and identity. Walker spoke at the Institute of Contemporary Art Boston last Thursday night, where one of her wall-sized installations is on display.
In the wake of our own bruising election, it seems worth noting that the word “political” means power in a public sphere. In her works, Salcedo counters the annihilating force of political violence, which often mutes its victims, by making loss visible and evoking empathy across time and place.
Saravejo-born artists and architectural historian Azra Aksamija explores Islam and its traditions coexisting in a multicultural society.
Often with humor, and almost always with beauty and style, Weems investigates and asserts power to those excluded from it on the home front, in the art world and in society at large.
Written by Seán O’Casey (1880-1964), a socialist and the first prominent Irish playwright to write about Dublin’s working-class people, “The Plough and the Stars” alternates between scenes of humor and anguish in its neighborhood-scale portrayal of the Easter Rising of 1916.
Wynton Marsalis plays Pulitzer prize celebration at Harvard’s Sanders Theatre
Introducing the event on Saturday night was Wynton Marsalis, managing and artistic director of Jazz at Lincoln Center and director of Jazz Studies at the Juilliard School in New York. In 1997 his oratorio “Blood on the Fields,” about a slave’s journey to freedom, became the first jazz composition to win the Pulitzer Prize for Music.
Aretha Franklin wows crowd at Blue Hills Bank Pavilion
Performing a career-spanning set of hits with power and joy, Aretha Franklin held her audience in thrall.
Renaissance Della Robbia sculptures on view at MFA through Dec. 4
“Della Robbia: Sculpting with Color in Renaissance Florence” is the first major U.S. offering dedicated to the story of the Florentine family’s glazed terracotta sculptures and includes major loans from Italy never before shown here.
Guitarist/vocalist Taj Mahal captivates Lexington audience
Sunny and soulful, the music of Taj Mahal has aged well, like the man himself. Friday night, the singer-songwriter, now 74, brought his infectious, blues-rooted songs to the Cary Memorial Building in Lexington.
Exhibit on scale features artists from some of world’s biggest urban centers
In Megacities Asia, supersized sculptures and wall-mounted installations suit the show’s theme: how artists living in some of the world’s biggest cities are responding to the ruptures and changes brought about as towering buildings replace human-scale communities and green space.