Susan Saccocia is an independent writer whose essays, features, profiles and reviews explore theater, visual arts, jazz and dance in the U.S. and overseas. A regular contributor to the Bay State Banner, Susan has also been published in Art New England ,The Christian Science Monitor, The Washington Post, The Boston Globe, Boston Magazine and other regional and nationwide media. An award-winning arts writer, Susan is also the recipient of three National Endowment for the Arts fellowships in arts journalism among other honors.
Utopias, dreams, losses, memories and hard truths all have a place in the carnival midway that is the Venice Biennale, which every two years for more than a century has turned its host city on the Adriatic into a showcase of both the state of contemporary art and the state of the world.
The fast-moving production delivers the simple plot with a touch of nuance and a bit of wisdom, along with a gleeful comic punch. A strong cast and terrific staging bring forth the story of two roommates locked in combat over turf.
Dance troupe closes each show with ‘Revelations’
The Alvin Ailey American Dance Theater is an instrument of collective memory second to none. Over six decades, the dance company has been illuminating the African American experience and its ever-evolving heritage of music and dance, one of the greatest gifts of this country to the world.
The Alvin Ailey Dance Company turns 60 next year and its five shows last week, presented by the Celebrity Series of Boston, gave ample proof that its legacy is alive and well. At its Friday night show at the Boch Center Wang Theatre, the company demonstrated the roof-raising power of its living tradition. With a four-part program, including one Boston premiere, the company put its emotional expressiveness and physical virtuosity on full display.
The fascinating exhibition on view through July 9 at the Museum of fine Arts Boston explores the artist through his life-long relationship with a collection of objects — mainly African, Islamic and Asian artifacts.
Massachusetts Senator makes stop at Old South Church as part of ten-day National tour to promote her 11th book.
“This Fight is Our Fight” is U.S. Sen. Elizabeth Warren’s 11th book, but not her first to include “fight” in the title. A rallying cry to restore policies that build opportunity for all, the book was released last week, and Warren spoke about it at Old South Church in Boston on Thursday night. Hosted by Harvard Book Store, the talk was a stop in a 10-day book tour that began in New York City and moved on to Chicago, Washington, D.C. and Glendale, California.
Last Wednesday’s RISE concert featured two musical guests of worldwide acclaim: Ysaye Barnwell, co-founder of the iconic African-American a cappella ensemble Sweet Honey in the Rock, and four-time Grammy Award-winning bassist and vocalist Esperanza Spalding.
Renowned vocalist Cassandra Wilson settled down with Harvard’s Ingrid Monson for a conversation on Wilson’s career and development as an artist.
In her brilliant, Pulitzer Prize-winning play, Parks creates two characters that have been dealt a poor hand. She turns three-card monte into a metaphor for the struggle of Booth and his older brother, Lincoln, for power and self-esteem. It is a win-or-lose game that the men wage against each other and themselves.
Madeleine George’s beautifully written play combines droll humor and drama as it follows Brodie into new, uncharted terrain of the heart.